{"id":"cma-151242","titulo":{"en":"Tunic Segmentum with Figural Scene on Red Ground (650–750)","es":"Segmentum de túnica con escena figurada sobre fondo rojo (650–750)"},"titulo_original":"Four Segmenta from a Tunic","autor":"Unknown maker / Autor desconocido","fecha":"650 – 750","cultura":"Egypt, Umayyad period (661–750)","tecnica":"tapestry weave; wool and linen","fuente":"Cleveland Museum of Art","licencia":"CC0-1.0","licencia_url":"https://creativecommons.org/publicdomain/zero/1.0/","credito":"Cleveland Museum of Art, Purchase from the J. H. Wade Fund","url_original":"https://clevelandart.org/art/1983.129.a","imagen_url":"https://openaccess-cdn.clevelandart.org/1983.129.a/1983.129.a_web.jpg","ficha":{"en":{"titulo":"Tunic Segmentum with Figural Scene on Red Ground (650–750)","se_ve":"A circular textile medallion with an irregular, frayed edge, set against a black background that makes it float like an island of color. The weaving is dominated by deep red and golden yellow, with touches of pale green, black, and cream. Two main human figures in ochre tones with bold black outlines fill most of the space. On the left, a standing figure with a nude body and a light cloak over one shoulder, curly hair shown in profile, extends both arms toward the second figure. On the right, a reclining or seated figure with a halo-like headdress or nimbus around the head, draped in yellow and green folds, looks outward. Above them, a small winged figure floats horizontally, like a putto or erote. Behind the standing figure, a simplified architecture is suggested: a column and a triangular pediment in beige and green. The texture is that of tapestry weave, with thick, visible yarns, tightly packed but worn, especially along the outer border where red meets a scalloped cream thread. The scale feels small, about palm-sized, with tears and losses at the top that reveal its age and fragility.","contexto":"","como_mirarla":"Start with the contrast between the deep red ground and the golden bodies, then follow the outstretched hands of the standing figure toward the reclining one. Notice the tiny winged figure above: its horizontal flight shifts the reading from an intimate scene to one with a possible symbolic or narrative meaning.","dato_curioso":"In Coptic textiles of this era, the strong red was often achieved with dyes like madder, prized for its permanence, which helps explain why the color remains vivid after more than a millennium.","preguntas":["What relationship do the gestures between the standing and reclining figures suggest?","How does the presence of Classical or mythological imagery on a tunic change its meaning in Umayyad-period Egypt?","What does the worn, frayed circular border tell us about the garment’s use and life?"]},"es":{"titulo":"Segmentum de túnica con escena figurada sobre fondo rojo (650–750)","se_ve":"Un medallón textil circular, de borde irregular y deshilachado, recortado sobre un fondo negro que lo hace parecer una isla de color. El tejido domina en rojo intenso y dorado amarillento, con toques de verde pálido, negro y crema. En el centro, dos figuras humanas de tonos ocres y contornos negros ocupan casi todo el espacio. A la izquierda, una figura de pie, de cuerpo desnudo y manto claro sobre el hombro, con el rostro de perfil y el pelo rizado, extiende los brazos hacia la segunda figura. A la derecha, una figura recostada o sentada, con aureola o tocado claro alrededor de la cabeza, vestida con drapeados amarillos y verdes, mira hacia el espectador. Arriba, una tercera figurita alada flota en horizontal, como un erote o ángel pequeño. Detrás de la figura de pie se insinúa una arquitectura simplificada: una columna y un frontón triangular en beige y verde. La textura es la del tapiz tejido, de hilos gruesos y visibles, con puntadas apretadas y algo desgastadas, sobre todo en el borde exterior donde el rojo se mezcla con un festón de hilo crema. La escala parece pequeña, de palma de mano, con desgarros y faltantes en la parte superior que revelan su antigüedad.","contexto":"","como_mirarla":"Empieza por el contraste entre el rojo profundo y el dorado de los cuerpos, luego sigue el gesto de las manos de la figura de pie hacia la figura recostada. Fíjate en la pequeña figura alada arriba: su vuelo horizontal cambia la lectura de una escena íntima a una escena con posible sentido simbólico o narrativo.","dato_curioso":"En los textiles coptos de este periodo el rojo intenso se obtenía a menudo con tintes como la rubia, muy apreciada por su durabilidad, lo que explica que aún conserve viveza tras más de mil años.","preguntas":["¿Qué relación sugieren los gestos entre la figura de pie y la figura recostada?","¿Cómo cambia el significado de la túnica al llevar imágenes mitológicas o clásicas en un contexto egipcio de época omeya?","¿Qué nos dice el desgaste del borde circular sobre el uso y la vida de esta prenda?"]}},"etiquetas":{"en":["coptic textile","tapestry weave","umayyad period","egypt","tunic","segmentum","human figure","erote","textile art","wool and linen","classical motif","circular medallion"],"es":["textil copto","tapiz tejido","periodo omeya","egipto","túnica","segmentum","figura humana","erote","arte textil","lana y lino","motivo clásico","medallón circular"]},"objetos":["medallón textil circular","figura humana de pie","figura humana recostada con aureola","figura alada pequeña","columna y frontón arquitectónico","borde festoneado"],"colores":["#A51C2A","#D4A846","#1A1A1A","#7A9B76","#E8D9A8"],"animo":["cálido","íntimo","enigmático"],"epoca":"650–750, periodo omeya en Egipto","certeza":"media","advertencias":["desnudo parcial estilizado"],"capa":null,"salas":[],"escrita_por":"muse-spark-open-1026"}